The Graduate is still fresh after over 60 years - review

It’s over 60 years since Charles Webb’s 1963 novel, The Graduate, was adapted for the stage and almost as long since Mike Nichols directed Dustin Hoffman in the 1967 movie.

So how did The Asylum Players’ production at the Blue Room translate for University of Lincoln student and Hello Lincoln intern LILY BOWEN?

Find out below.

 

The Asylum Players delivered an exciting, humorous and convincing production of Terry Johnson’s adaptation of The Graduate directed by Stephen Gillard. 

I thought the (almost) eponymous character Benjamin, played by James Green, successfully conveyed the uncertainty of life after graduation. 

I found his portrayal convincing of a graduate emerging from higher education and moving back to the family home where his past freedoms are stripped. 

He has to learn to begin to say ‘yes’ for himself again, making decisions for his future without the control of his parents. 

What stood out for me, was Green’s balance of relating the real pressures of his situation with light-hearted humour, allowing the audience to relate to his predicament while still being entertained through the production’s comedic love story.

The minimalistic set at The Lawn venue was used effectively throughout - I enjoyed how the walls of Benjamin’s bedroom at the beginning were used, changing to represent different scenes. 

This was done very effectively and smoothly each time with actors playing ensemble roles becoming ‘Team Chambermaid’ and adding to the comedy by acting as if they were tidying up the house or rearranging furniture.

The audience brought a lively energy to the opening night, lifting the spirits of the cast as they prepare for future shows.

The production’s blend of comedy, nudity, innuendo, family drama and the universal theme of navigating life after graduation helped foster a strong sense of community among the audience. 

Even the small imperfections of opening night, such as the bed nearly rolling off the stage and a door panel slipping out early only added to the evening’s charm. 

These minor mishaps, the kind almost bound to happen on an opening night, were embraced by the audience, who responded with laughter and good humour, turning these moments into some of the funniest bits.

 

Photos: Richard Hall